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Sanne Bruggink paints in opaque and transparent geometric layers. By shifting or rotating these layers, a suggestion of movement arises. This suggestion is intensified by a play of light, for example with image and afterimage. This makes Bruggink’s work flat and spatial at the same time. The subtle play with layers gives a shift from the geometric basis to a more organic appearance. This feeling of ‘not being able to put your finger on it’ gives it something mysterious. As if the answer is hidden under the layers of paint.

DRIFT 3