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Sanne Bruggink paints in opaque and transparent geometric layers. By shifting or rotating these layers, a suggestion of movement arises. This suggestion is intensified by a play of light, for example with image and afterimage. This makes Bruggink’s work flat and spatial at the same time. The subtle play with layers gives a shift from the geometric basis to a more organic appearance. This feeling of ‘not being able to put your finger on it’ gives it something mysterious. As if the answer is hidden under the layers of paint.